I Drank the Water

© Rangihīroa Panoho and PIHIRAU PRODUCTIONS Ltd, 2019. No part of this document (text or imagery) is free to be copied, plagiarised or shared for publication or for uses neither intended nor agreed on by the author without his or the Director of PIHIRAU Production’s express permission. Details for writing

MAORI ART, the koru and 2019

  © Rangihīroa Panoho and PIHIRAU PRODUCTIONS Ltd, 2019. No part of this document (text or imagery) is free to be copied, plagiarised or shared for publication or for uses neither intended nor agreed on by the author without his or the Director of PIHIRAU Production’s express permission. Details for

MAORI ART and ARMISTICE 100 Years On

  MAORI ART and ARMISTICE 100 YEARS on   MaC IX 10 November 2018 © Rangihīroa Panoho and PIHIRAU PRODUCTIONS Ltd, 2018. No part of this document (text or imagery) is free to be copied, plagiarised or shared for publication or for uses neither intended nor agreed on by the author

Writing MAORI ART MaCVIII

MaC VIII   rangihīroa,  he āmionga kikorangi, ‘the blue orbit’, 2018   E ngā kaipānui tēnā koutou, tēnā koutou, tēnā ra koutou katoa. Ngā whakawhetai ki a koutou mo te awhi me te tautoko hoki. Hari te ngakau nei e hoko ana koutou ki tā tātou pukapuka. Naaku te rourou,

How We Belong: Te Parawhau and the Mangrove Tree

MaC VII How We Belong: Te Parawhau and the Mangrove Tree This post considers the connections between a native tree and a Northland hapū through the naming of one of their community buildings. It explores the importance of the local natural environment and its role in shaping an architectural metaphor.

READING the SIGNS: historic Kerikeri MaC VI

MaC VI © Rangihīroa Panoho and PIHIRAU PRODUCTIONS Ltd, 2018. No part of this document (text or imagery) is free to be copied, plagiarised or shared for publication or for uses neither intended nor agreed on by the author without his or the Director of PIHIRAU Production’s express permission. Details

HEADLANDS: unpublished responses MaC V

MaC V HEADLANDS essay ‘MAORI AT THE CENTRE: ON THE MARGINS’ ‘First published by the Museum of Contemporary Art Ltd, Sydney, Australia in 1992 in Headlands: Thinking though New Zealand Art, exhibition publication page 122’ MCA © Rangihīroa Panoho and PIHIRAU PRODUCTIONS Ltd, 2018. No part of this document (text

MAORI ART reprint MAY 2018

Thanks to all those who have read, supported, responded to and purchased MAORI ART. Batemans…Reprint coming MAY 2018. https://t.co/Xh2PeEBcBJ https://t.co/VELzWtX5V8

BULL MaC III

M a C   I I I MAORI art Curator: At the Centre, on the Margins + Jim Vivieaere (1947- 2011) +  Jonathan Mane-Wheoki (1943-2014)     r@ngihiroa, 6 Tahitians, revised on Pukepoto whariki II, 2017       © Rangihīroa Panoho and PIHIRAU PRODUCTIONS Ltd, 2016-2018. No part of this

NZ NATIVES

rau kaponga maroke hangehange All images and text by rangihīroa unless otherwise indicated. Copyright: PIHIRAU Productions Ltd 2018 See my latest MaC VII post ‘How we belong: Te Parawhau and the Mangrove Tree’ This post considers the connections between a native tree and a Northland hapū through the naming of

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